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Digital History Methods

Digital History Methods

HIST 477/677 American University

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  • Syllabi
    • 2020 (Spring) Digital History Methods
    • 2019 (Fall) Policy and Ethics in Digital Curation
    • 2019 (Spring) Digital History Methods AMU
    • 2018 (Fall) Digital Preservation Syllabus – UMD
    • 2018 (Spring) Digital History Methods – Syllabus – AMU
    • 2016 (Fall) Digital Preservation – Syllabus – UMD
    • 2016 (Spring) Digital Art Curation – Syllabus – UMD
    • 2015 (Summer) – Digital History – Syllabus – AMU
    • 2015 (Spring) Digital Public History – Syllabus – UMD
    • 2012 (Spring) Digital History – Syllabus – AMU
    • 2011 (Spring) Digital History – Syllabus – AMU
  • Projects
    • Digital Preservation Consultant Projects – 2018 – UMD
    • Digital Preservation – 2016- Projects – UMD
    • Digital Art Curation -2016 – Projects – UMD
    • Digital History Methods – 2018 – Projects – AMU
    • Digital Public History – 2015 – Projects – UMD
    • Digital History- 2011 –– Projects – AMU

Month: September 2016

Posted on September 25, 2016March 5, 2017

They Were There. They Can Speak For Themselves.

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Posted on September 25, 2016March 5, 2017

Authenticity is OVER (If You Want It)

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Posted on September 25, 2016March 5, 2017

Intentional preservation and participatory archiving

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Posted on September 25, 2016March 5, 2017

Authentic According to Whom?

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Posted on September 25, 2016March 5, 2017

#IRL: Internet Culture and Preservation

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DigHist is…

The course blog for Digital History Methods a graduate seminar at American University. One of the explicit goals of this course is for us to develop as communicators on the public web. So please do join our conversation, but please do so respectfully. We are all learning how to do this together.

Header image Highsmith, Carol M,  Play stations at a children’s computer center in Rockville, Maryland.

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Recent Comments

  • MarenOrchard on Reading the Collective from the Particular
  • Lafe (EDLM Diarist A028) on Reading the Collective from the Particular
  • MelyssaLaureano on Finding Our Place in the Cosmos: From Galileo to Sagan and Beyond
  • Digital Project Reflection: Augmented Reality Poster Set – Digital History Methods on Digital Project Proposal: Augmented Reality Poster Set
  • Eric Ascher on UPDATE: AccessibiLGBT
  • Katherine McCauley on Project draft: “Lord Peter’s England: Britain Between the Wars”
  • Katherine McCauley on Project draft: “Lord Peter’s England: Britain Between the Wars”
  • lauraaukgib on UPDATE: AccessibiLGBT
  • alexjon on PressForward and Ethical Content Scraping
  • MelyssaLaureano on Project Update: Mapping Suffrage History

Recent Posts

  • Digital Project Reflection: Exploring the History of Capitol Hill’s Alleys May 7, 2019
  • “Finding Trends in Jazz Terminology”- Reflection & Paper May 6, 2019
  • Final Digital Project and Reflection May 6, 2019
  • Podcasting the future of public/history: A project and reflection May 6, 2019
  • Digital Project Reflection: Homegrown History May 6, 2019
  • Digital Project Reflection: Augmented Reality Poster Set May 6, 2019
  • “Lord Peter’s England,” and reflections thereupon May 6, 2019
  • Julie’s San Francisco: Project Reflection May 6, 2019
  • Topic Modeling Foreign Relations: Final Paper and Reflection May 6, 2019
  • Horatio Gates: Atlantic Traveller Reflection May 6, 2019
  • Mapping Suffrage History: Reflection May 5, 2019
  • EDLM & Digital History: Digital Project Reflection May 3, 2019
  • Digital project reflection May 2, 2019
  • Final Paper and Reflection May 2, 2019
  • Mapping a Reflective Narrative of D.C.’s Gay Liberation Movement April 30, 2019
  • Poster: AccessibiLGBTQ April 29, 2019
  • Poster-Wikipedia as Primary Source: A Case Study on Jasenovac April 29, 2019
  • Listening In: Podcasting and the Making of a more Open Community- Project Poster April 29, 2019
  • Digital Project Summary and Reflection: A Digital Database for Past Exhibits and Exhibitions April 29, 2019
  • Digital Project Reflection: Washington on the Frontier April 29, 2019
  • Digital History Presentation: Mapping the Tracks of Serial Killers, Reflection April 29, 2019
  • Final Project Poster and Some Reflections: Social Media and Its Role in Holocaust Remembrance April 27, 2019
  • UPDATE: AccessibiLGBT April 27, 2019
  • PressForward and Ethical Content Scraping April 21, 2019
  • The undead scholarly monograph and avoiding obsolescence April 20, 2019
  • The Programming Historian April 20, 2019
  • Data visualization and scholarly publishing: Scalar April 20, 2019
  • MLA Core April 20, 2019
  • A Timeline of Scholarly Blogging April 20, 2019
  • Digital Project Draft: Julie’s San Francisco April 17, 2019
  • Digital History and Its Collaborative Future April 16, 2019
  • Digital Project Draft: Augmented Reality Poster Set April 15, 2019
  • Draft: Topic Modeling Foreign Relations: Implications for U.S. Policy in the Middle East April 15, 2019
  • Digital History Project: Accessible History April 15, 2019
  • Reading the Collective from the Particular April 15, 2019
  • Digital Project Draft: Homegrown History April 15, 2019
  • Project draft: “Lord Peter’s England: Britain Between the Wars” April 15, 2019
  • Digital Project Update: Mapping DC’s Alley History April 15, 2019
  • Digital Project Draft: Web archiving Social Media Activism Focusing on the Collective Value of Black Lives April 15, 2019
  • Project Update: Mapping Suffrage History April 15, 2019
  • Project draft: A Grant Proposal for a podcast April 15, 2019
  • 1066, Strategy, and Morale April 14, 2019
  • Roll for Initiative: Critical Play and Table-top RPGs in the Digital Era April 14, 2019
  • Paper Draft: Social Media and Its Role in Holocaust Remembrance April 14, 2019
  • Cotton Millionaire, Oregon Trail for easily distracted fans of the Industrial Era April 14, 2019
  • Paper Draft “Crowd-Sourcing Jasenovac: Public Memory, National Community, and the Production of the Past” April 14, 2019
  • Digital Project Draft: Horatio Gates Worldwide April 14, 2019
  • The Jamestown Online Adventure April 14, 2019
  • Digital Project Draft: Tracing the Tracks of Serial Killers April 14, 2019
  • Digital Project Draft: Exhibit/Exhibition Database using the Titanic Disaster as a Model April 14, 2019
  • Digital Project Draft: Young Washington on the Frontier April 13, 2019
  • Uncritical Play: When Games Shy Away From Difficult History April 13, 2019
  • Argument Wars Engages Students in Civics April 13, 2019
  • Racism and Sexism in Online Games April 10, 2019
  • ARIS Games: Maps and Interactive Media April 7, 2019
  • The Will to Adorn, the will to tell: Ethnography and an app meet at the Smithsonian April 7, 2019
  • Mobile interfaces in a tethered world April 7, 2019
  • Representing Place Using Mobile Media April 6, 2019
  • Historypin & Museum on Main Street April 6, 2019
  • Once Again Remapping the World April 6, 2019
  • Finding Our Place in the Cosmos: From Galileo to Sagan and Beyond April 1, 2019
  • Invisible Australians March 31, 2019
  • Curation and Organization of Digital Archives March 31, 2019
  • Exploring interactive storytelling with Theresa Duncan’s CD-ROMs March 30, 2019
  • The Benefit of Bots: What they tell us about exhibitions and social protests March 30, 2019
  • Absences and Opportunities March 30, 2019
  • Social Memory and Digital History March 29, 2019
  • Changes Over Time- Defining Tagokor and Analog March 25, 2019
  • Digital Detectives, Materiality, and Medial Ideology – Kirschenbaum’s Mechanisms March 25, 2019
  • How to Deep Fry a Meme (aka glitch a file) March 24, 2019
  • Mystery_House.dsk: What It Is and Why It Matters March 23, 2019
  • The Complexities of Paper March 23, 2019
  • TAGOKOR: migration, data fragments, and archiving for the future March 23, 2019
  • Glitching can give us deeper understandings of digital objects March 21, 2019
  • Mystery House: The First Graphics Adventure Game Ever March 19, 2019
  • The Shelley-Godwin Archive March 18, 2019
  • Digital Archives: “Humanizing the Craft” March 17, 2019
  • What to make of what has been made of “digital archives” March 16, 2019
  • Game Changer: “Digital Sources & Digital Archives” March 16, 2019
  • The Bracero History Archive March 16, 2019
  • Rossetti Archive Overview March 15, 2019
  • September 11 Digital Archive March 15, 2019
  • Audacity: A Free Resource For All March 4, 2019
  • Podcasting with Anchor March 3, 2019
  • Soundcloud: A Place Where All Can Listen, Curate and Create March 3, 2019
  • Time for a deep dive into file formats March 2, 2019
  • HiPSTAS Tagged Audio Before It Was Cool March 2, 2019
  • Sound Studies in the Digital Age March 1, 2019
  • Digital Project Proposal: Everyday Life in Middletown, Digital Visualization February 25, 2019
  • Digital Project Proposal: Horatio Gates Worldwide February 25, 2019
  • Digital Project Proposal: Augmented Reality Poster Set February 25, 2019
  • Digital Project Proposal: Family History Beyond For-Profit Genealogical Records Platforms February 25, 2019
  • Digital Project Proposal: StoryMap-ing Young George Washington February 25, 2019
  • Digital Project Proposal: American Girl February 25, 2019
  • Digital Proposal: Creating a Digital Repository of Syrian Archival Material February 25, 2019
  • Digital Project Proposal: Mapping the History of DC’s Alley Dwellings February 25, 2019
  • Digital project proposal: “Lord Peter’s England: Britain Between the Wars” February 25, 2019
  • Digital Project Proposal: Web archiving Black queer and trans activism in BLM collections February 24, 2019
  • Digital Project Proposal February 24, 2019
  • Digital Project Proposal: Mapping Suffrage History February 24, 2019

Archives

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