Practicum: SoundCloud

Hi everyone! For one half of this week’s Practicum, I’ll be taking us through some of the basic features and functions of SoundCloud. Many if not all of you have probably heard of SoundCloud, or maybe even uploaded some music to it, and if you have, then I expect a link to that music in the comments. Anyway, SoundCloud is most well-known as a music-sharing feature where some big names have gotten their starts, such as Post Malone, Kehlani, and Kygo. But SoundCloud also has the potential to be useful for historians in various ways, which we will go over shortly. First, let’s figure out how to use it!

The Getting Started Page for SoundCloud. Answers related to making an account, sharing your music and sounds, and helping others find your profile can be found here.

At its core, SoundCloud is a platform where users can upload any audio. Opera? Yes. Thirty minutes of a keyboard typing? Sure thing. Hip Hop songs that will be famous before we know it? Absolutely, yes to that. Once you create an account, agree to the Terms, and log in, you have access to all of these sounds and then some. Then you can begin to follow artists and “labels” and your friends’ accounts to get a glimpse of what they are creating and listening to. As you listen more and more, you can add tracks to your library so you have constant access to these tracks whenever you need them. Each track has additional information attached to it such as how many people have liked, commented on, and shared the track, related tracks, the artist or creator’s profile information, and different tags associated with the track to help you find other tracks that have similar tags. The information can feel a little overwhelming at first, especially if, like me, you are brand new to SoundCloud.

This is my landing page when I log in to SoundCloud. Since I have not listened to many tracks or liked anything yet, this page will show me mostly random tracks. Once I start listening more, this page will adapt to fit my music taste.

If you’re the creative type, and you want to upload your own sounds to SoundCloud, it’s relatively simple, but you will have limits with a free account. You can upgrade to SoundCloud Go for a monthly fee of $4.99, or to SoundCloud Go+ for $9.99. There is a student discount for SoundCloud Go+ that you could take advantage of, especially if your digital project includes sounds. Without the upgraded versions of SoundCloud, there will be advertisements every now and then, which can be frustrating.

 SoundCloud recommend certain file types for uploading over others. The recommended formats are WAV, FLAC, AIFF, and ALAC, but SoundCloud will also accept OGG, MP2, MP3, AAC, AMR, and WMA. SoundCloud can also only accept uploads up to 48 GB, so if your file is larger than that, you will have to adapt it. For those who are excited about sharing tracks to SoundCloud but don’t know where to begin, SoundCloud has great resources built into their website to help even the most inexperienced SoundClouders get their tracks ready to go.

These are just some of the resources that SoundCloud provides for new and experienced users!

As fun as it is to search through tracks and lesser-known artists and innovative creators, we need to know how we can use SoundCloud for history. I see four main applications for SoundCloud within the history field. One of these has definitely been tapped already, but it could be even bigger. Oral histories, as we have read, are some of the most treasured primary sources we have. To be able to hear voices from decades ago detailing their experiences or certain events creates an unbeatable emotional bond. If we search for “Oral History” on SoundCloud, we will see that there are quite a few hits. While they are not heavily followed (the most popular of these accounts has 251 followers), they are here and they are putting forth oral histories that we may not have access to otherwise. There is the Busselton Oral History Group, the East Texas Research Center Oral History, the Scottish Parliament Oral History Project, and many more. With SoundCloud being so accessible, budding oral historians might find that SoundCloud is a great place to begin collecting, organizing, and presenting their histories for bigger audiences.

This photo shows the first three options that appeared when I searched “Oral History.”
This photo shows the first three options that appeared when I searched “History.

The second application, much like Spotify, is for podcasts. If we search just “history” in SoundCloud’s search bar, and then choose “People” on the left side of the screen, we will see quite a few podcast accounts related to history. These are much more popular, with some of them having as many as 800 thousand followers. Clearly, these history podcasts are reaching a wide audience through SoundCloud. Some examples of the podcasts on SoundCloud are Disability History, a History of Mathematics, History of Mozart, and “BackStory,” which presents a huge range of historical topics. While not all of these accounts are actively posting on SoundCloud (in fact, some jumped to Spotify to finish out their tenures), it is a great reminder that SoundCloud can be used as a starting point. Creators can get their foot in the door, build a network and connect with others, and then perhaps move onto a bigger platform like Spotify or Apple Music/Podcasts.

Third and fourth go hand in hand. SoundCloud is home to all sorts of sounds and narrations, many of which could be useful in walking tours or historical exhibits. For example, if Sara or Jane needed some creepy noises to accompany their DC tours, they could use any number of SoundCloud sounds to accompany what their visitors would be seeing. Either through a QR code or a link sent to guests’ phones or some other method, a guest could feel an even closer connection to the history they are encountering, whether that’s through sound affects like wind whistling through trees (there are 250 tracks of this) or through recorded descriptions of whatever the guest is seeing. SoundCloud could work in a similar way in history museums or exhibits. Bringing these sounds directly into the exhibits, or incorporating QR codes or links to the sounds as visitors travel through the exhibit, would change the emotional and physical experience of the exhibit or museum, ultimately making stronger bonds between visitor and exhibit.

SoundCloud is an amazing platform for those who have the time, energy, and patience to get to know it. On a surface level, there is a lot going on, and it can easily get overwhelming and can deter potential users from uploading any material or even listening to any material. All the same, it is an excellent resource both for recording and uploading oral histories, interviews, or sounds that may come in handy one day, and for finding sounds and tracks that could be used in a museum or exhibit setting.

Happy SoundClouding!

Molly

7 Replies to “Practicum: SoundCloud”

  1. Hey Molly, thanks for the great rundown! I was wondering, in your opinion, what do you think the benefits of using SoundCloud over platforms like Spotify/Apple Music are? Of course, this is also assuming that artists and historians would not upload content to both. I guess a better way to phrase my question might be, what does SoundCloud offer that other platforms do not? What is the appeal?

    1. Hey Sam, such a good question. The honest answer, from my understanding, is not much. The primary appeal for SoundCloud over Spotify or Apple Music is its accessibility. That anyone can upload any type of sound whenever they want to onto SoundCloud could definitely be an advantage for some people who are maybe not able to get their music onto something like Spotify. SoundCloud definitely attracts those artists or creators who are still figuring out their sound or their style, allowing them to start building a network and gaining some credibility. While Spotify has changed its protocols recently so that more people are able to upload their music, I think that SoundCloud provides a better platform for those trying to get their foot in the door. In the grand scheme of things, however, Spotify is the better option. This link has a really great breakdown of the advantages and disadvantages between the two: https://bunnystudio.com/blog/spotify-vs-soundcloud-comparison/

      1. That’s actually a really good point! I was just thinking from an audience point of you that you would probably reach a wider audience using Spotify/Apple Music, but the potential of someone being able to experiment with their style is definitely something I hadn’t considered. As an occasional SoundCloud listener, I have to agree with your point about other platforms being better in the grand scheme of things— or maybe just better for polished final projects. Thanks for the link!

  2. Hi Molly, SoundCloud sounds like a great platform for historians! I have a question regarding the ownership and of audios. I took Oral History with Dan Kerr last semester and we had to obtain a release form to grant legal permission for our oral history interviews to be stored in the Humanities Truck archive. Is there any similar thing with SoundCloud? Obviously, some users probably have some form of an agreement, but what legal rights to ownership do the users have over the audio? I imagine some IP issues could arise with a less regulated platform.

  3. Hi, Molly! Great job on this practicum. I felt compelled to come back to this post, because I started thinking about outreach for digital projects. While Sam sort of already touched on this topic, what specific and unique tools does SoundCloud offer users to increase their public outreach? Compared to Spotify and Apple Music, I think it is great that SoundCloud offers hashtags for their posts. This could definitely boost a project and its audience.

  4. Molly – This post is super helpful. I’ve been working on a project all semester that has audio. I’ve been debating on whether or not to share this project with a larger audience later on. This post gave me a lot of really great ideas. On a completely different note, I’m curious to know how you envision museums using software like Soundcloud. Do you picture smaller museums utilizing it? Or bigger institutions? For what types of exhibits? I’m curious to know more since it’s an interesting proposition! Thanks for the great post!

  5. Hi Molly! I was so glad that we were able to present our practicums on all-things audio related. You did a great job with your post and on Zoom. The features of SoundCloud that you highlighted were very relevant to scholars in the digital humanities. In previous years, I used SoundCloud to listen to audio articles from The Atlantic, but I have never explored other history related topics such as oral histories. I am pleased that you introduced those collections available in your blog. Also, I was not aware of the subscription options for more advanced features. Advanced features would be very helpful for users who engage with this platform on a day-to-day basis. You have demonstrated that all users can benefit from using SoundCloud.

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