AÂ traditional painting is static to the human eye, despite the imperceptable movements of the atoms or the refresh rate of the screen if it displayed or created digitally. The husband and wife duo, Rob and Nick Carter, artist collaborators, looked to challenge the notion of how static these pieces need to be as part of their series called â€œTransforming.â€ Delving into a new venture between 2009 and 2013, they worked with the English visual effects firm, Motion Picture Company (MPC), to create a series of computer based digital paintings in a reimagining of still paintings from the Golden Age of Dutch art, Renaissance, and 18th century Germany.
Four of these works are presented as films on Mac screens or iPads with traditional portrait frames, each ranging from approximately two to three hours in length that loop and repeat again. Each piece, slowly and often imperceptibly, changes over the course of the playback, employing databases of insect movements and plant life cycles,Â algorithms, and traditional computer animation. The intentions of their pieces are to promote sustained engagement with the paintings in contrast to the six seconds on average that a museum goer looks at an artwork.
Transforming Vanitas Painting
Transforming Still Life Painting
Transforming Nude Painting
Significance and Communities
Groups interested in the survival of these works are art scholars across various concentrations. To those studying the original works of inspiration, these new pieces serve as a vital link to understanding the impact and tracing their influence over time. Rob and Nick Carter’s work is also an important example of remixing or reuse and serve as important pieces to document the influence of the original artworkÂ along with the new work itself. Ultimately, preservation of the digital paintings also means allowing for further transformation as the digital files and code are much easier toÂ transformÂ than their analog counterpart. Thus, these works are part of the social memory creation surrounding both the original works and the genres they represent.
Another group that would want theseÂ art pieces preserved are those studying new media art and its history. Kate Bryant of the Fine Art Society of London claims that these are the worldâ€™s first digitally rendered paintings (old paintings entirely recreated with aÂ computer), making it an important to preserve as documentation ofÂ the establishment of aÂ new genre or technique. While the approach of aÂ modern day homage to earlier forms of art was innovative, I believe the work of Rob and Nick Carter is conservative compared to some new media art which can be quite jarring from traditional paintings.
The conventional elementsÂ may have made the work palatable to more traditional galleries such as The Frick Collection and The Mauritshuis which exhibited some of these works alongside centuries old still life paintings (in fact it is apparently the first digital work exhibited at The Frick). The works of â€œTransformingâ€ are therefore important to understanding how the genre of still life is being adapted to contemporary society due to changes in technology and how new media is making its way into older traditions. I think the intersection of old and new is important to document and will be interesting to users in the future.
At the same time, their work is using cutting edge technology in animation, coding, and display, which will interest computer art and design historians. Additionally, since Rob and Nick Carter worked with a visual effects firm, the works also will interest those who want to understand how corporate entities are involved with art, especially those facilitating digital art for those who may not have the technical skills to realize their vision.
Finally, these pieces are part of the contemporary attempts of creators and producers to fosterÂ user engagement with media content. With the ever growing amount of exposure to media on a daily level, the public often devote only a small amount of time to the images that pass before their eyes. These artworks represent a response to this moment, a clear commentary on the need to focus, and how undivided attention can be rewarded. Therefore, documenting “Transforming” means documenting the cultural conversation around media consumption in the early 21st century.